This body of work arises from both disorientation and grounding. The subject matter, drawn from my immediate surroundings, reflects a personal engagement with the space I occupy—physically and emotionally. Created within the confines of my garden and studio, these paintings are an intimate exploration of my environment, which also served as my self-quarantine during the COVID-19 pandemic. 

Born from a time of isolation and anxiety, my practice has evolved over the past five years, yet it remains rooted in that initial moment. These paintings are not merely objects, but reflections of time, transformation, and resourcefulness—shaped by materials and motifs accumulated over the years, culminating in a period of deep artistic introspection. 

As I work on the land I occupy, it is important to acknowledge that this land was never ceded by the First Nations people. This knowledge deepens the disorientation I feel. While I may legally own my home, in a broader historical sense, I am a squatter. 

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2024